STEP 3 : Create a Treatment

Let me preface this by saying I hate writing treatments. To me, treatments are like having to floss after brushing–its painful, its makes you bleed a little, but you know you have to do it. I use treatments in two different ways. First, to lay out a story for a yet-to-be written novel or screenplay; second, to create a "selling tool" describing an already written novel or screenplay.

As a guide for a yet-to be-written project, treatments can be an invaluable road map in outlining the steps that move the plot and characters from start to finish. The more detailed the character descriptions, the easier it is to create character conflicts and flesh out the story later on. Flaws in characters and storylines are also easier to remedy at this level, before you become too emotionally attached with either.

Here's the thing to keep in mind about a treatment - once the writing process begins, you will invariably find different routes to get from A to Z. AT least that's the way it happens for me. I start out with my treatment, begin writing, then imagination takes over and a plot line takes a dark twist you never anticipated. Sometimes it's inspired, sometimes they lead to dead-ends. My advice is to run with it, but keep that treatment close at hand so you don't stray right off the map.

The second type of treatment comes in writing a synopsis that describes an already completed project. Why do you need to do this? Many reasons, most involving the sale o a project. Once you finish that great American novel you'll need to pitch your idea to a literary agent or publisher. They aren't interest in reading a 500 page manuscript unless you can hook them in a 2-page query letter. But how do you condense a 500-page novel into a 2 page synopsis and still create the excitement and tension to sell the project? Maybe the secret lies in flossing those teeth–one painful gum line (action beat) at a time, keeping it short and sweet –as your wounded ego spits bloodied saliva into the sink.